Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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FALCONE, Aniello
The Concert fghd

ID: 06634

FALCONE, Aniello The Concert fghd
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FALCONE, Aniello The Concert fghd


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FALCONE, Aniello

Italian painter, Naples school (b. 1607, Napoli, d. 1656, Napoli). Italian painter and draughtsman. He trained briefly with Jusepe de Ribera, the Caravaggesque Spanish painter. He quickly won fame as a specialist in scenes of battle, and his contemporaries nicknamed him the 'oracle' of this genre. Falcone created the 'battle scene without a hero' (Saxl): he showed the battle as a brutal, confused struggle between anonymous troops, without heroes, without defeats and without particular historical incidents. The Battle between Turks and Christians (1621; Paris, Louvre; see fig.) is one of the earliest. The frieze-like composition is elaborately structured, yet the picture is rich in intensely naturalistic, vividly coloured details of armour and weapons and precisely observed expressions of anger and pain. The famous dealer and collector Gaspar Roomer and other Neapolitan collectors commissioned many battle pictures from him, and these were soon introduced throughout Europe. He was especially favoured by Ferrante Spinelli, Prince of Tarsia, who gave Falcone a residence in his palace after 1651.   Related Paintings of FALCONE, Aniello :. | Wife Charlotta Pilo,Fodd Desmarees | Arab or Arabic people and life. Orientalism oil paintings 305 | Twittering Machine | St.Michael Battling the Dragon | Ecce Ancilla Domini (The Annunciation) (mk28) |
Related Artists:
Fernand Hodler
Day I,1899-1900
Nikolas Kornilievich Bodarevsky
painted Portrait of the Empress Alexandra Fedorovna in 1907
Giuseppe de nittis
Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,






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